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News&Weather(2022),
 TheFirstCutIsTheDeepest(2021),
 ColorScience(2022-2013),
 SelfPortraits(2020-2005),
 ADroneOpera[Film](2019),
 ShootingScript(2019),
 GUILTY(2017),
 TheEnd(2017),
 Reflections(2017),
 Études(2017-2007),
 RulesToLiveBy(2016),
 Indexical(2018-2016),
 ADroneOpera[Live](2015),
 RepresentationandReproduction(2014),
 IntentionallyLeftBlank(2014),
 TheLastCarpark(2013),
 TheGenerativeFreewayProject(2013),
 KerobokanPortraits(2013),
 ForOneReasonOrAnother(2013),
 TheRiseandFallofWesternCivilisation(2011),
 Genesis(2011),
 Page49191(2011),
 IDon’tSeeGodUpHere(2010),
 Bali(2010),
 SovietUnderground(2010),
 GreenShoots(2009),
 VariousPositions(2009),
 ScaleModelforStillLife(2009),
 PatternRecognition(2008),
 TenSeries/106Photographs(2007),
 MixedTape(2007),
 Rosebud(2005),
 Opfikon(2004),
 Survey(2004),
 CalloftheWild(2004),
 home+away(2003),
 TourofDuty(2002),
 TheBankBook(2001),
 TheRoaringDays(1998),
 CoxandRizzettiFoundry(1993),
 Propositions(9999)
Bio

Matthew Sleeth is a visual artist and filmmaker. He maintains a multi-disciplinary and often collaborative practice with a focus on the aesthetic and conceptual concerns of new media. 

Sleeth explores the performative and photographic nature of visual culture through diverse processes of mechanical reproduction, creating objects and experiences that are often political, visually ambitious and formally experimental.

 
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